Tom Foskett-Barnes is a composer and sound designer based in London and Berlin.
Film credits include the Academy Award-nominated BLACK SHEEP (dir. Ed Perkins) and the BAFTA TV-nominated TONI_WITH_AN_I and Guardian documentary SAINTMAKING (dir. Marco Alessi).
For stage, Tom's work includes WORK.TXT (Soho Theatre/Staatstheater Mainz), SAP (Roundabout), HOTTER/FITTER (Soho Theatre), ANNA BELLA EEMA (Arcola Theatre) and THE BEAT OF OUR HEARTS (Exeter Northcott Theatre). Tom has worked at theatres including The Globe and The Old Vic.
In 2016 Tom was announced as Sound and Music Composer in Residence with ROLI, as part of the Embedded_Innovate scheme. In 2017 Tom was selected as part of the Old Vic 12. Tom has received commissions from The Chisenhale Gallery, BBC Radio 3 and the ICA.
Tom trained at the Royal College of Music as a Soirée d'Or Scholar generously supported by a Clifton Parker Award and was the recipient of a BAFTA UK Scholarship.
Film credits include the Academy Award-nominated BLACK SHEEP (dir. Ed Perkins) and the BAFTA TV-nominated TONI_WITH_AN_I and Guardian documentary SAINTMAKING (dir. Marco Alessi).
For stage, Tom's work includes WORK.TXT (Soho Theatre/Staatstheater Mainz), SAP (Roundabout), HOTTER/FITTER (Soho Theatre), ANNA BELLA EEMA (Arcola Theatre) and THE BEAT OF OUR HEARTS (Exeter Northcott Theatre). Tom has worked at theatres including The Globe and The Old Vic.
In 2016 Tom was announced as Sound and Music Composer in Residence with ROLI, as part of the Embedded_Innovate scheme. In 2017 Tom was selected as part of the Old Vic 12. Tom has received commissions from The Chisenhale Gallery, BBC Radio 3 and the ICA.
Tom trained at the Royal College of Music as a Soirée d'Or Scholar generously supported by a Clifton Parker Award and was the recipient of a BAFTA UK Scholarship.
